His wife is not concerned with this, responding to his paranoid personality with an unbothered sureness. This has also caused him to be very protective of his children and old them to strict rules. The women are thin and beautiful. Yet, all the same, it casts small commentary on the value of listening to elders.Something that stands out as the most obvious yet simultaneously most overlooked fact of the movie is that its lead character Sosuke is five years old. This single scene was the most disturbing to my son. Ponyo cannot, ultimately, decide her own fate since it depends on whether the little boy Sosuke loves her. One fateful day, he finds a beautiful goldfish trapped in a bottle on the beach and upon rescuing her, names her Ponyo. A one-stop shop for all things video games. The weather is raging outside their home, and she chooses to emphasize how 'amazing' the world is, while also including the importance of keeping a level-head and being mindful of the need to get down to work. She leads a whimsical, open-minded yet grounded life with Sosuke, themes that can be found in many Miyazaki films.Lisa asks Ponyo about her father, and this is what she responds. But to our surprise, rather than voicing concern in his character (he looks a bit eccentric), she shouts "that better not be weed killer!" But what if we imagine kids have such agency as this? But the movie makes her a well-rounded, more realisticOnce again, the old people at the home provide some hilarious dialogue. The quote highlights the film's emphasis on independence and trust in the fact that Sosuke is only a five-year-old boy and his mother allows him to go off on his own quite a lot, and is now trusting him to take care of himself and another unknown child in their house...but if we see this as a slight extension of the element of fantasy in the movie and focus on the mother imparting confidence in her son, it's a good message.The elderly at the old folk's home are a regular source of comedy in the movie. The joy she derives from simple things that everyday children likely take for granted is a reminder of the magic and privilege of having a body, and the wonder that is the opportunity to be a body on earth. The spell is broken once Takashi’s wife, Matsuko, and mother, Shige, join him in the street. While it seems like the melodramatic ramblings of a child—and it is—it's also true. Brünnhilde is also a "supernatural," being who falls in love with a human (Siegfried), much like Ponyo falls in love with Sôsuke. He has seen how they dirty the ocean, and he doesn't trust them as a result. Her calm facing the idea that Ponyo could possibly turn into sea foam creates a softened mood surrounding the idea of death, something helpful for child viewers—or, to be fair, any viewers.Glenna is a Glasgow-based writer from New England. Ponyo, one of Hayao Miyazaki's many animated films, includes great quotes to match the exquisite artistry of the animation. The go-to source for comic book and superhero movie fans.
Consider their worlds, and how real things are to them.This quote is said once in the movie by Sosuke's mother, Lisa, and then repeated by Sosuke—demonstrating the act of leading by example and learning from example. Studio Ghibli's Ponyo, by widely adored director Hayao Miyazaki, is a children's animated movie that can be enjoyed by all ages.The film features a young boy, Sosuke, and his mother Lisa who live in a small house atop a charming hill. Later in the film, we find Ponyo's mother meeting her father with a mellow, amused demeanor, and urging him to be calm and to give change a chance.Ponyo's father is worried that if their test to see if Sosuke truly loves Ponyo—and so ensuring that she stays human and remains on land—fails, then she will turn into sea foam. Ponyo's father does not like humans, but the film allows us to see that he more fears them than anything. The elderly don't speak down to the youth in this movie, there is no baby-talk—which allows for mutual respect and encourages young viewers to relate to diverse groups of people.While the exclamation is a simple one, it encompasses a moment of pure glee. Ponyo's unyielding celebration of her experience as a human extends permission for viewers to do the same.This is a hilarious moment early on in the movie where Ponyo has first escaped the ocean and her father comes chasing after her with a water-sprayer wetting the ground everywhere he walks. It's a moment of dramatic irony because the viewer knows that Ponyo has caused the storm and that it isn't in fact the weatherman's fault.
Naturally, Sosuke's mother is skeptical of him and watches him worryingly as he walks toward them.