Sou Fujimoto Architects is looking for architects (project leader and Senior Architect) to join its firm in Tokyo immediately. It was with this work that he began to fashion his distinctive, highly allegorical approach to design. Publicity images of the house are extraordinary advertisements for a radically open vision for a single-family home, with one woman, dressed in white, sitting on one white platform, gazing up at a man, dressed in white and blue jeans, on a slightly elevated floor behind her, while another person, also dressed in white, sits on the stairs, seeming to converse with another woman in the kitchen, the whole scene illuminated by abundant light streaming through the many-windowed semi-facade.In conceiving the house, Fujimoto cited the limitation of the small plot (578 square feet) and the desire for the client to have a nontraditional house: “As a plot, it’s too small, so that if you just put living, dining, kitchen, one bedroom, one bathroom, it’s just a small, normal house, and obviously the client didn’t like those normal typologies of the house.” Their conversations revealed a fairly familiar set of concerns around contemporary houses: that no particular activity corresponded to one particular room. Fujimoto described it, in a somewhat poetic light, as “many small floating plates and columns and the stairs and the chairs floating around you, and you feel it’s not like one glass box — you are in the middle of something small, artificial, something floating.” The actual use of the house, in the event, didn’t correspond to the openness publicized by the images. He attended the University of Tokyo, and in 1994, he graduated with a degree in architecture.In 2000, Fujimoto established an eponymous firm by the name, The same year, he also completed a residential structure, House N, in Oita, Japan.
The Architect Making Conceptual Art Out of Buildings In exploring the contradictions between private and public, interior and exterior, constructed and natural, Sou Fujimoto has offered his … In 2013, Fujimoto was commissioned to design a temporary structure for the Serpentine Gallery Pavilion in Kensington Gardens, London. Sou Fujimoto is a leading Japanese architect, who has revolutionized architecture with his innovative and modernistic designs of residential and institutional projects, which have brought forward a new-fangled collaboration of architectural space and the human body.Sou Fujimoto was born on August 4, 1971, on the northern Japanese island of Hokkaida. Fujimoto’s childhood home was just 300 feet from the campus of his father’s psychiatric hospital; he remarked to me that his father and the other psychiatrists he associated with insisted on treating their patients not as ill people in need of confinement but as full individuals in need of space and freedom. The clients installed curtains to block out the windows as well as to separate spaces within the house, which they did fairly often. “I was curious how people can make such complexity by artificial thinking,” he recalled. (He was lucky, he noted, to be supported by his parents.) In exploring the contradictions between private and public, interior and exterior, constructed and natural, Sou Fujimoto has offered his own definition for what design should be.So he took up residence in the Tokyo neighborhood of Nakano, near the university, living alone and doing nothing for six years. But coming some years after the concrete heroism of the postwar decades, and the megastructures of the Metabolists — Modernists who produced structurally daring buildings that were meant to exude the future-minded society of Japan in the ’60s and ’70s — he has adopted a hermetic set of fundamental concerns that continue to be visually surprising. He also travels extensively to deliver lectures and seminars. Sou Fujimoto Architects' "Architecture is Everywhere" was among the ArchDaily editors' favorite exhibitions in the Chicago Architecture Biennial. Fujimoto developed an ethereal, semi-transparent grid consisting of white steel tubes that connected with the landscape, and made a cloudlike and formal presentation with its multi-tiered surface that encouraged public interaction and movement.He teaches at the universities in Tokyo, Kyoto and Minato Universities. “I was happy,” he said. He came in second place. Growing up on the island, Sou developed a love of nature, and enjoyed conducting long and leisurely explorations into the wooded landscape of the island all by himself. the proposal for the commercial building complex considers two options that reveal different sizes of … When I asked Fujimoto what his first introduction to architecture was, he described finding a book about The Architect Making Conceptual Art Out of BuildingsThe courtyard of House N (2008), in Oita. Walking around Tokyo during the period of his non-activity, he wondered how such a bustling urban environment could be so similar, at least in its complexity, to the natural world of his youth.
I kept imagining that a glimpse of scaffolding down a side street was the thing itself. Most of his later work is also inspired by his love for nature, he has taken inspiration from forests and caves to invoke the aspect of natural space into his designs.